27th - 29th
November
2020
27th - 29th
November
2020
 
27th - 29th November 2020
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Letters to America - Fred D'Aguiar

Letters to America - Fred D'Aguiar

NOV
29
Sunday 29 November 2020
5:30pm 6:30pm
ONLINE EVENT
Buy your tickets online or in person at Pengwern Books

Letters to America

Poetry Book Society Winter Choice 2020

Fred D'Aguiar

THIS IS AN ONLINE EVENT - Tickets £5

In Letters to America the Guyanese-British poet, novelist and playwright Fred D'Aguiar has some difficult things to say. The twenty-two poems are full of lived tales and memories - of Britain, the Caribbean and the United States - and of specific and shared memory. He supplies some of the difficult detail he has omitted from earlier poems. The modern mid-city Los Angeles sun-rise we experience is a cacophony, violent and memorable music rendered in prose. The poems weave in and out of familiar forms, including terza rima, casting and breaking spells. There is peril at every turn, and opportunity.

https://www.shrewsburylitfest.co.uk/images/gallery/galleries-10/letters-to-america_thumb.jpgD'Aguiar is now Professor of English at the University of California, Los Angeles, a wry perspective from which to survey a nation enduring a dismal present, and also the years that shaped him. It is the variety of lives, his own among them, that provide the changing illumination of his writing, and he has developed a mimetic language that takes its bearings from Derek Walcott and from Kamau Brathwaite whose 'Barbados shines/Back at Africa'. Like his chosen forebears, he risks longer forms as well as lyrics, most notably in the fragmented 'Burning Paradise', in 'Call & Response', an impassioned exchange with Martin Luther King, and in the extended title poem.

This is Fred D'Aguiar's fourth Carcanet collection, and his most ambitious.

‘D’Aguiar manages to weave together memoir, history and critical race theory in ways that deepen our understanding of his poetics.’ — Leo Boix, Poetry London

‘D’Aguiar interrogates and reassesses whatever he sees in a poetry that is flexible and fast paced.’ — Charles Bainbridge, The Guardian

‘Unsettling accounts of ‘black’ identity and the horrors of slavery written with refreshing candour.’ — Mohammad Fahran, Wasafiri

 

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